|
Film Grammar Room |
The Visual
Units
---Shot
------Shots
By Position In The Scene
---------Establishing
Shot
---------Point-Of-View
Shot
---------Reaction
Shot
------Shots
By Number Of Subjects
---------Single
(One-Shot)
---------Two
Shot
---------Group
Shot
------Shots
By The Type Of Lens
---------Wide-Angle
Shot
---------Telephoto
Shot
---------Zoom
Shot
------Shots
By Camera Movement
---------Dolly
Shot
---------Panning
Shot
---------Tilting
Shot
------Shots
By Camera Angle
---------High
Angle
---------Low
Angle
---------Bird’s-Eye
View |
-Shots
By Camera Position
---------Over-The-Shoulder
Shot
---------Head-On Shot
Scene
------A
Scene Composed Of
---------A
Series Of Shots
------A
Scene Shot (Integral Shot)
---Sequence
Coverage
---Master
Shot
---Coverage
Shots
---Reverse
Angle Shots
---Triangle
Principle
Continuity
---Imaginary
Line
---Framing
------Extreme
Close-up
------Close-up
------Medium
Shot
------Medium
Full Shot |
Full
Shot
------Wide
Shot
Match
Cut
------By
camera position
------By
subject movement
------By
dialogue
---Film
Punctuation
------Fade
Out
------Fade
In
------White
Out
------Cutting
To Black
------Color
Fade
------Dissolve
---Composition
------Light,
Color
------Camera
Angle
---Camera
Movement
---Object/Character
Placement
Recommended Reading |
| |
|
Equipment Room
|
Scriptwriting Room |
Research Room |
Light
Metering
Lighting Studio
Equipment Binders:
---Cameras
------35mm
Cameras
------16mm
Cameras
------Camera
Distributors
------Lenses
------Video
Cameras
---Film
Stock
------Kodak
------Fuji
------Ilford
Film
------Film
Labs
---Sound
------Nagra
------Sennheiser
Microphones
------Sennheiser
Distributors
---Grip
And Lighting
------Arri
Compact
------Arri
Daylight
------Arrisun
12 Plus
------Fresnels
------Arrisoft
------Arrilite
------Kino
Flos
------Steadicam
Demos
---16mm
Bolex: parts & loading
---Shutter,
iris, & aperture -
---Formats
& aspect ratios
Recommended Reading |
Definitions
Scriptwriting Computer
---
Story
------
Pasta Paolo Story
---
Step
Outline
---
Treatment
------
Step-outline Treatments
------
Literary Treatments
------
Pasta Paolo Treatment
------
Grande Illusion Treatment
---
Script - Pasta Paolo
------
First Draft
------
Final Draft
---
Script
Format
------
Script Page Layout
------
Front Page Layout
------
Computer Software
---
Script
Registration
Scriptwriting Exercise
Lectures
---
“How To
Write Short Films”
----- by
Lew Hunter
---
“Just For
Laughs: Writing The
----- Short
Comic Script”
----- by
Andrew Horton
---
“Plotting
Conventions”
----- by
Kevin Scott
---
“On
Aristotle’s Poetics”
----- by
Wojtek Chojna
Recommended Reading |
Reading
---
Newspapers
And Magazines
---
Books
---
Pasta Paolo
Reading
------
Documentary Film
------ Body
Language
Looking & Watching
------
People
------ Body
Language
------
Television News
------
Documentary Films
------ P.P.
Looking & Watching
Listening
------
People And Their Language
------
Music Of The Area
------
Pasta Paolo Listening:
---------
Dialogue, Music
Experiencing
------
Videotaping
Video Exercises
---
#1 Camera
As A Sketchbook
---
#2 Study Of
Characters
Lectures:
“There are
plenty of intriguing, funny
and surprising ideas
buried in everybody’s memories” by
Yvette Biro
“The Short
Film: How To Prepare For It”
----- by
Srdjan Karanovic
Recommended Reading |
| |
|
Pre-Production |
Crew
---
Producer
---
Director
---
Editor
---
Assistant
Director (AD)
---
Director Of
Photography (DP)
---
Camera
Assistants
------
Camera Operator
------
First Assistant Camera
---
Slate Person (Loader/Clapper)
---
Gaffer
---
Key Grip
---
Continuity Person
---
Sound Crew
------
Sound Recordist
------ Boom
Operator
------
Sound Mixer
---
Storyboard Artist
---
Set Designer
---
Prop Person
---
Costume Designer
---
Makeup Artist
Casting
---
Where To Look For Actors
------ Where We Looked for Our Actors
---
Head Shot And Resume
------ P.P.
Headshots And Resumes
---
Auditions
---
Callbacks
---
Making Callbacks for Pasta Paolo
---
Rehearsals
---
Video Exercises
------
Casting
------
Improvisation |
Set And Costume Design
---
Location Scouting for Pasta Paola
---
Set Design for Pasta Paolo
------ Set Designer Notes
---
Props
------ Hand
Props
------
Pasta Paolo Props
------ Set
Props
---
Costume Design
------
Pasta Paolo Costumes
---
Makeup
------
Pasta Paolo Make-up
Script Visualization
---
Shooting Script
------
Pasta Paolo Shooting Script
---
Storyboards
------
Examples Of Other Storyboards
------
Pasta Paolo Storyboards
------ Shot
List
------
Pasta Paolo Shot List
---
Video Exercises---
------ One
Scene Shot In Two Ways
------
Video Storyboard
Lectures
---
“Legal Basics For Independent
-----
Filmmakers” by Susan H. Bodine
----- and
Jose I. Luzurrango
---
“Steps In Preparation Of A Short
-----
Dramatic Film From The
-----
Producer’s Point Of View”
----- by
Robert Nickson
|
Scheduling And Budgeting
---
Script Breakdown for Pasta Paola
---
Scheduling for Pasta Paola
---
Budgeting for
Pasta Paolo
---
Blank Production Forms
------
Location Survey Checklist
------
Camera Report
------
Budget
------
Script Breakdown
------ Crew
Deal Memo
------ Cast
List
------ Crew
List
------
Contact List
------
Location Release
------
Talent Release
------
Script Supervisor Report
------
Cast/Scene No. Breakdown
------
Daily Call Sheet
---
Pasta Paolo
Producer’s Notes
Recommended Reading |
| |
|
Library |
Film Festivals
|
Film History Room |
Resources
---Course
Outline
---Printable
Files
---Websites
---Film
Schools
---Film
Commission Offices
Books
---Recommended
Reading |
List of Festivals
Worldwide
List of Student Festivals
Lecture:
---“Some
Remedies For Festival
Fever”
-----by
Arsen Anton Ostojic
Scene from “The Bird Lover” |
Lecture:
---“The
Speedy Gonzales History
of Film”
-----by Dan
Muggia
Recommended Reading |
| |
|
|
|
Production Room |
Post
Production |
Blocking The
Actor
---
Pasta Paolo
Blocking
Staging The Camera
---
Camera/Sound Setup
---
Rehearsing
The Shot
Shooting
---
Director’s
Commands
---
Phrases To
Inspire Your Crew
---
Takes
Lecture
---
“How I Made
My First Professional
----
Short Film”
by Goran Dukic
Recommended Reading |
Editing
technology
---
Film
---
Video
---
Digital
Editing process
---
Assembly
---
Rough Cut
----Final Cut
---
Editing
Exercise
Sound
---
Building
Sound Tracks
---
Sound
Effects
------
Pasta Paolo Sound Effects
---
Music - Pasta Paolo Music
---
Mix
Questionnaire
---
Mixing
---
Interlock -
Pasta Paolo Mix |
Titles
Laboratory
---
Negative
Conforming
---
Negative
Timing
---
Optical
Sound
---
Answer
Print
---
Release
Print
Lectures
---
“Music For
Films & Film Music
-----
Editing” by Suzana Peric
---
“The
Mysterious Law of 2-1/2”
----- by
Walter Murch
---
“Clear
Density/Dense Clarity”
----- by
Walter Murch
Recommended Reading |
| |
|
Restroom |
Academic Syllabus |
Disc 3
Footage |
Film Trivia Game
Persistance of Vision Demo |
Included on Disc 3
is a course syllabus
for running a one-year film
production class based on
this CD-ROM set |
Disc 3 contains QuickTime video footage and sound files for creating your
own edit of the film created for this CD-ROM, “Pasta Paolo.” These files may
be copied and used with any QuickTime editing software.
---Assembly
Cut (24:00 min.)
---Rough
Cut (8:32 min.)
---Final
Cut (7:46 min.)
---Sound
Files:
------Sound
effects and music for use
------in creating your edit of
“Pasta Paolo. |
| |
| |
Screening Room |
|
| |
Film: “Pasta
Paolo”
---Two
reviews of the film
Diploma |
|
